Search Results for: New Contexts Of Canadian Criticism

Times change, lives change, and the terms we need to describe our literature or society or condition—what Raymond Williams calls “keywords”—change with

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

Hiding the Audience examines how the development of Canadian prairie arts institutions in the context of an implicitly Euro- or Anglo-Canadian audience clashed

What in terms of Alice Munro’s creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian,

Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English,