Search Results for: The Viewer And The Printed Image In Late Medieval Europe

Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that

Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that

The last two chapters stress both the private and public valences of early prints. Chapter 4 focuses on woodcuts of Simon of Trent, a boy supposedly murdered by

The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century En

One of the central and defining beliefs in late-medieval and early-modern spirituality was the notion of the formability of the religious self. Identified with