Visuality and Identity in Christopher Nolan's "Memento"

Visuality and Identity in Christopher Nolan's
Author :
Publisher :
Total Pages : 36
Release :
ISBN-10 : 365668121X
ISBN-13 : 9783656681212
Rating : 4/5 (1X Downloads)

Book Synopsis Visuality and Identity in Christopher Nolan's "Memento" by : Anett Koch

Download or read book Visuality and Identity in Christopher Nolan's "Memento" written by Anett Koch and published by . This book was released on 2014-06-26 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,3, University of Mannheim, language: English, abstract: Christopher Nolan's film from 2000, "Memento," takes a critical look at the visually dominated world we live in and challenges traditional cinema by addressing the film's artificiality and visuality. Memento draws attention to the sheer mass and variety of visual stimuli that surround us by playing with the use of camera, photographs, mirrors and other visual media. The focus on visuality illustrates our dependence on visual media in determining who we are, how we see the world and how we think. Memento is centered on a protagonist - Leonard Shelby - who is especially reliant on the help of visual media but does not realize how much it influences his identity. Leonard is a former insurance claims investigator who suffers from anterograde amnesia, a condition that prevents him from turning short-term memories into long-term ones. Leonard's amnesia is the result of a head injury he received while he was trying to rescue his wife from a murderer. Thus, Leonard lives in episodes that last about 15 minutes and after each such episode he forgets everything that happened before. Being deprived of the ability to remember anything that has happened since his wife's murder, Leonard has to come up with his own strategies to deal with everyday life. In the course of the film, the audience learns that Leonard has developed a system of visual cues to replace his memory. He even goes further and declares that his method of remembering via photographs, mind maps, tattoos and notes, is more reliable than memory itself. Leonard calls his visual cues 'facts' and ignores the lack of context that comes along with a memory that consists only of separate Polaroid photos, ink on his skin and a few slips of paper.


Visuality and Identity in Christopher Nolan's "Memento" Related Books

Visuality and Identity in Christopher Nolan's
Language: de
Pages: 36
Authors: Anett Koch
Categories:
Type: BOOK - Published: 2014-06-26 - Publisher:

DOWNLOAD EBOOK

Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,3, University of Mannheim, language: English, abstract: Christo
Visuality and Identity in Christopher Nolan's
Language: en
Pages: 33
Authors: Anett Koch
Categories: Performing Arts
Type: BOOK - Published: 2014-06-26 - Publisher: GRIN Verlag

DOWNLOAD EBOOK

Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,3, University of Mannheim, language: English, abstract: Christo
Memento & Following
Language: en
Pages: 243
Authors: Christopher Nolan
Categories: Performing Arts
Type: BOOK - Published: 2001-06-15 - Publisher: Macmillan

DOWNLOAD EBOOK

"This volume includes both screenplays, plus an interview with Christopher Nolan and Jeremy Theobald ... about the the making of Following, and a piece by Chris
The Philosophy of Christopher Nolan
Language: en
Pages: 244
Authors: Jason T. Eberl
Categories: Philosophy
Type: BOOK - Published: 2017-06-20 - Publisher: Lexington Books

DOWNLOAD EBOOK

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento,
Memento
Language: en
Pages: 144
Authors: Claire Molloy
Categories: Performing Arts
Type: BOOK - Published: 2010-02-28 - Publisher: Edinburgh University Press

DOWNLOAD EBOOK

The book introduces Memento as an important independent film and uses it to explore relationships between "e;indie,"e; arthouse and commercial mainstrea